Latest Entries »

Perennial may be the only punk trio with an organist instead of a bassist. You could call what they do — “Motown-via-Dischord,” their promotional material accurately christens it, with a third ingredient of ‘60s mod chic — a gimmick, except it’s too undeniable: Perennial fucking rock. You’ll know this from the moment their new album, Modernism, kicks in. A very quick feedback squall; a very quick intro riff (no time is ever wasted on a Perennial song); then the whole band, with a cocky, amped-up, swaggering riff. It’s instant electricity, pure adrenaline.
The ingredients for each song are straightforward and no-nonsense: an elastic, mod-rock riff smothered in pugilistic distortion; snare drum hits that may as well be gunshots; organ…

You need to be logged in to view the rest of the content. Please .

Half studio recordings and with side B taken from a live set at City Winery, this finds ’80s Hoboken contemporaries and longtime friends Richard Barone (best known for The Bongos, but part of many other ventures as well) and Glenn Mercer (guitarist and vocalist of The Feelies) covering ’70s glam-rock songs that shaped their youth and part of the foundation of their musical education before starting bands of their own.
That Barone is doing this shouldn’t be a surprise to fans who have been paying attention. Not only did The Bongos cover T Rex‘s “Mambo Sun” on their debut LP Drums Along the Hudson, but Barone also wrote extensively about his love for T Rex and Marc Bolan (as well as some of their contemporaries) in his wonderful 2007…

You need to be logged in to view the rest of the content. Please .

Haken underwent a sea change in January 2026 when guitarist Charlie Griffiths and bassist Conner Green left the band and formed metal band Tiktaalika. It forced them to regroup and reconsider where they’d been as both a band and as individuals. In a fever dream is a five-track EP created by the remaining quartet, with guest bassists Bryan Beller and Adam “Nolly” Getgood. As expected, the loss of a third of the lineup necessitated aesthetic as well as practical changes.
Haken’s trademark prog rock sound remains; this EP’s sonic profile is a close cousin to the albums Vector and Virus, with a more strident electronic backbone. That said, the music on offer here also sidles up closely to 21st century prog metal. It’s easy to hear that Haken…

You need to be logged in to view the rest of the content. Please .

The Homesick have never been a band particularly interested in standing still. This adventurous Dutch trio has spent its career twisting post-punk, krautrock, new wave and experimental pop into something restless, strange and frequently exhilarating. Curiosity is their compass, and convention has never been much of a concern.
Across several albums, The Homesick have repeatedly reinvented themselves – from the raw momentum of their debut Youth Hunt to the baroque eccentricity of The Big Exercise, their breakthrough released by Sub Pop. Their third, independently released self-titled album, recorded in the aftermath of the pandemic, stripped things back into a leaner, more pulsating form, while still retaining the band’s wonderfully eclectic DNA.

You need to be logged in to view the rest of the content. Please .

UK alt-folk group Stornoway release new album Beyonder. The band – from their name alone – have long had a debt to Scottish islands, to the experience of life on the fringes. New album ‘Beyonder’ takes this to an extreme, with the group’s Brian Briggs citing a revelatory experience on St Kilda as the root of their LP. The record contains a photo taken on St Kilda at its artwork. The most Westerly point of the British Isles, St Kilda’s human population abandoned the island in the 1930s, requesting to be evacuated to the mainland. An evocative and moving part of the country, the album helped unlock the album Brian Briggs has been “trying to write my whole life”.
He comments: Lying in bed in a stone blackhouse in St Kilda, being deafened…

You need to be logged in to view the rest of the content. Please .

German experimental ambient duo TROUM, active since the ’90s, return with EmphasYs. The album’s seven drone-oriented tracks result from an unconventional process in which each is structured around a single focal instrument. Nonetheless, the album maintains a unifying sound and feel.
These instruments are electric guitar, cello, accordion, didgeridoo, acoustic guitar, zither, and saxophone. They are used to generate texture and atmosphere rather than melody and harmony. Thus, their output is heavily processed and joined with that of synthesizers and a supporting cast of secondary sources.
While this processing can render the focal instruments largely obscured, some are readily apparent. These include the gritty cello…

You need to be logged in to view the rest of the content. Please .

…A major downtown transit hub, Chicago’s Union Station occupies an archaic building that is poorly designed, often crowded, and notoriously associated with delayed commuter trains. Sections of it are literally falling apart.
In May 2025, cellist Lia Kohl set up in Union Station’s Great Hall with nine other musicians from Chicago’s improvised / creative music scene for a free, 43-minute rush-hour set.
The instrumentation included cellos, bass clarinets, sax, trombones, tuba, and violin. The performance functions as a piece of sound art that combines slow-moving chamber music with the ambient noise of the space. Alongside strings, horns and reeds, one can hear voices, travelers walking by, luggage carts, and…

You need to be logged in to view the rest of the content. Please .

Lisbon, Portugal is famous for tiled streets and azure ocean views. Local trio MAQUINA. contrasts the city’s sun-streaked facade with a visceral fusion of krautrock, industrial, and dance.
Since their 2023 debut, DIRTY TRACKS FOR CLUBBING, the project of Halison Peres, ​José “Mendy” Rego, and João ​Cavalheiro, has become an energetic fixture of the European festival circuit. Thumping grooves and fuzzy bass lay a firm backbone for Peres’s shouted vocals. The result exists in surging motion, tailored to leathery dive bars and warehouse debauchery.
If MAQUINA.’s prior releases prominently featured improvisation and jamming, with cuts often exceeding 10 minutes, BODY TRANSMISSION is heavy on stark contrasts, tight…

You need to be logged in to view the rest of the content. Please .

Australia’s next great rock icons have arrived, yet they’ve been here the whole time. The rowdy punk four-piece known as C.O.F.F.I.N has crafted complex, hard-hitting, guitar-driven rock music for the past few years, finding success through a steady stream of impressive LPs, including 2023’s raw and unadulterated Australia Stops. 2026, though, seems to be the year they come into their own, basking in the blinding light of worldwide attention with the announcement of their documentary, 10,000 Miles from Oslo, a European tour, and, to top it all off, a new album.
Out in Oslo is the 11-song follow-up to the aforementioned Australia Stops and comes at an important time for C.O.F.F.I.N. Along with getting more recognition for their prowess…

You need to be logged in to view the rest of the content. Please .

One of Britain’s most beloved alt-rock acts returns. Twilight is the eighth studio album from Jesus Jones, and their most anticipated release in years, their first new record in eight years.
Since forming in 1988, Jesus Jones have sold over two million albums worldwide, scored eight UK Top 40 singles, and delivered one of the defining anthems of a generation. “Right Here, Right Now” topped the US charts in 1991 and remains a global radio staple to this day. Twilight finds the five-piece, led by singer-songwriter Mike Edwards, venturing boldly beyond their comfort zone, while honouring the restless spirit that has always defined them: the collision of rock dynamics with the experimental freedom of dance music. It’s the sound of a band who know…

You need to be logged in to view the rest of the content. Please .

Low-key supergroup Railcard are an indie pop lover’s dream ensemble. Not only does Rachel Love of the incredibly influential 80’s guitar pop band Dolly Mixture play guitar and singer, Ian Button of the criminally overlooked Papernut Cambridge plays drums and sings, and Peter Momtchiloff — legendary guitarist of Tallulah Gosh and Heavenly — holds down the bass job. Add in trumpeter/keyboardist Rachel Bennett, who has played with the brilliant Trash Can Sinatras, and it’s almost too much. How could a group with such an impressive CV live up to the expectations? Without a problem judging by the string of lovely EPs that incorporated Northern Soul, girl groups, and space age bachelorette pad music into the charmingly sweet melodies and chiming guitars.

You need to be logged in to view the rest of the content. Please .

Get Mean is the third official studio album from cult darkwave duo Boy Harsher, marking their debut for major-label Atlantic. Active for over a decade, the pair have largely stuck to their signature sound of danceable gloom, with minimal beats and shadowy vocals dramatically expressing themes of pain and lust (to name two of their most popular songs). They haven’t drastically altered their style with the switch to a major label, as they’ve been gradually incorporating more ’80s pop influences into their music, making it no surprise that Get Mean sounds a bit brighter and more accessible than their past work.
A more significant change is the fact that members Jae Matthews and Augustus Muller split up as a romantic couple in 2024, leaving them…

You need to be logged in to view the rest of the content. Please .

Not all of us can afford beachfront property with a convertible Bugatti to match, but thanks to the new album by Argento, we no longer need to. Inspired by the riches of the Tuscan coast, Miraggi is as sultry as music tagged ‘Balearic’ gets. Breathy flutes wisp up and down, casting their ocean spray as they pass. Lithe basslines sway against windswept chimes, beckoning you to leave it all behind. New age, downtempo, and jazz fusion shimmer and swirl together like crisp white wine.
…If this all seems like fantasy, it’s just as much of one for Argento. The side project was conceived by German-Italian producer David August, who spends most of his time hovering…

You need to be logged in to view the rest of the content. Please .

Summer Magic 1985 is a 20CD collection featuring seven previously unreleased concerts from the legendary band’s 20 Years So Far tour.The Dead’s magic in the summer of ’85 was plentiful, and the large box will include all three of the band’s 20th anniversary concerts at Berkeley, California’s Greek Theater (6/14-6/16/85) which kicked off the tour, as well as dates from Saratoga Performing Arts Center (6/27/85); Hersheypark Stadium (6/28/85); and Merriweather Post Pavilion (6/30/85).
All of the gigs were recorded by the Dead’s longtime sound engineer Dan Healy and mastered for this release by David Glasser at Airshow Mastering. Typical for the Dead sets of this magnitude, it’s a lavish affair with original artwork by Marcos Alvarado…

You need to be logged in to view the rest of the content. Please .

Carrying on the legacy after the tragic passing of lifelong friend and co-founder Daniel Hutchens, influential roots-rock outfit Bloodkin released the downtrodden and poetic Flowers & Ash. The 10-song project is a cathartic, meditative listen on the idea that you never need a bigger picture to worry about if the little things are out of order, opting for slower melodies that punctuate the complexity of the songwriting.
…Rather than trying to replace an irreplaceable creative partner (the pair first met when Carter was 7 years old), Carter chose to embrace the album as both a tribute and a continuation, crafting a focused, 40-minute collection of songs meant to be experienced from beginning to end, with Hutchens’ spirit woven throughout every track.

You need to be logged in to view the rest of the content. Please .

Ringo Starr, Phil Collins, and Don Henley are just a few examples of drummers who have had successful solo careers. You could add Roger Taylor of Queen to that list. He may not have sold as many albums, but he has had a very healthy solo career. He has just released his seventh solo album, Violence Insane in a Beautiful World, his first since 2021’s Outsider. Taylor has created a very cohesive and strong album with a great deal of meaning throughout. It is a very positive album, with bits of anger, but it is a beautiful album.
The album opens with “A Beautiful World.” Anytime you combine a little science fiction with science fact, it works perfectly. The addition of The Ndlovu Youth Choir with their stunning backing vocals just makes it a great opening.

You need to be logged in to view the rest of the content. Please .